The Walking Tiger Tai Chi Club

Providing private and group lessons in metro San Diego: Phone 619-865-3711 Email: TheWalkingTiger@Juno.Com

 

Tai Chi Forms

 

The “forms” are preset sequences of Tai Chi movements, performed in a very precise pattern. They are designed to build up and cultivate Chi energy in different parts of the body. In some sequences a single movement is repeated several times because the masters found this was the most effective way to cultivate and augment Chi. Tradition also allows for changes in sequence, repetitions or direction, as long as all of the postures are performed. (See FORMS)

 

It is the “process” of learning the forms that is most important. While practicing, it is the “way of moving” that is most important. Tai Chi has so many principles that it is very difficult to learn it in the way we learn in a History or Physics class. Mimicking the teacher and allowing its many principles to “seep into your bones” is the best way earn Tai Chi.

 

At the Walking Tiger Club the forms are learned in the sequence: Basic, Intermediate, and Advanced; progressively comprised of 18, 24 and 48 steps. But, if your main interest is in the health benefits of Tai Chi, then learning the 5 Breaths exercise set (see QI Gong) and the basic Foundation form (below) , if performed daily, will be very satisfactory.

 

It sometimes confuses new students that the “posture count” and the “step count” are different. To confuse even further, combination movements; such as GRASP THE BIRD”S TAIL, are usually counted as one “postures” and one “movement”. The key is the posture count.

 

“Functional training may be gained through the solo exercise by imagining an opponent vying with you as you go through postures. Your mind operates to create this imaginary opponent. If you disregard this vital aspect, your postures will lose meaning and trueness, and the exercise will become merely a mechanical charade.”  Cheng Man-Ching

 

At the Walking Tiger School we practice health focused Tai Chi; never forgetting the basis for real Chi mobilization is in its self-defense aspect. We practice the style created by the great master Cheng Man-ching.

 

After Master Cheng passed away, his senior students continued developing his style. Most notable of these are William C. C. Chen and Dr. Robert Chuckrow.

 

The deeply rooted, explosive and continuous style they have developed discards the pretty poses and dramatic flourish of present day Yang style, and returns to Tai Chi’s original “way of moving”.

 

Experienced  observers often see elements of the Chen style; even the Wu style-Tai Chi styles which have managed to stay closer to their origins.

 

Master Cheng’s style is often called innovative. But, a deep study of Tai Chi history reveals he was actually returning to the original style, which existed before pop culture and Red Chinese intrusion turned it into a show art. Therefore, while many might call his style “the Yang style”, it is really a branch of the current Yang style, and deserves to be called the Cheng Style”.

 

All too often, in our fast paced popular culture, things that really deserve slow and close study become caricatured and diluted into something very shallow and expedient. Because we love this art and what it has given us, we leave this pop culture baloney to others, and practice the art the way it was intended: long, slow and deep.

 

 

Tai Chi Forms

 

The cornerstone of Tai Chi; indeed, the “textbooks” of the masters, are the Forms. These sequences contain dozens of movements, refined over hundreds of years, which are very healthful Qigong, but also very effective self-defense. Training in these with a relaxed but centered and focused mind will begin to affect one’s basic character in a primal and ineffable way-so that you yourself will become more like the forms themselves: centered, calm and focused.

 

 Like many contemporary American schools, we have adapted all of the ideas of Cheng Man-Ching. Also, we have adapted ideas from the teaching and writings of Nigel Sutton, Tricia Yu, William C.C. Chen, Tan Mew Hong, Ellae Elinwood, Stuart Alve Olson, Waysun Liao, Lee Ying-Arng and especially master Dr. Robert Chuckrow.

 

It sometimes confuses new students that the “posture count” and the “step count” are different. To confuse even further, combination movements; such as GRASP THE BIRD”S TAIL, are usually counted as one “postures” and one “movement”. The key is the posture count.

 

Long time tradition also holds that when counting steps, certain “combination” set such as GRASP THE BIRD’S TAIL are counted as one step.

 

In addition, some traditional schools sometimes count a “posture” only once, even though it might be repeated several times. Also, they often count left and right side repetitions as separate postures. And, sometimes they don’t.

 

The Foundation Form: Introductory, basic moving Qigong form which contains key heath postures.

The Cornerstone form: More advanced form containing the key Grasp Bird’s Tail sequence.

The  Walking Tiger form: Very advanced section combined with the Cornerstone to create a 48 step form.

 

“Let the mind be like a hunting hawk. In spirit, be like a mountain. In preparation be like an archer’s bow. In movement, be like a river.” TAI CHI CLASSICS

 

The Foundation Form (Basic)

 

This very simple exercise contains the most essential Qigong movements of Tai Chi. It is a complete form designed as a “starter”. With this form; from the very beginning of training, the student is equipped with a simple but very beneficial exercise set. For those interested in a simple health enhancement form, performing this set twice a day will satisfy all their needs. I recommend practicing whenever one feels stressed, tense or low spirits.

 

Although there are 5 formal stepping postures and 5 standing (non-stepping) postures, the form also contains several transitional movements and hidden movements.

 

 

 

In addition to the 5 stepping and 5 standing movements, the form includes 5 of the primal movements of Tai Chi: Stable equilibrium, shifting forward, shifting back, turning left and turning right.

 

This form has several transitional steps and turns as well as hidden movements. It is designed to enable the student to begin regular form practice very soon, while masking several steps and directional changes which will prove very beneficial during more advanced training, The form can be lengthened by repeating the stepping movements (e.g.: Part the Horse’s Mane) 5, 7 or even 9 times-instead of the usual 3 times.

 

Orientation: The forms are usually started facing North, the enable easy directional Orientation.

 

(Click Here to View Instruction Manual)

(Click Here To View Video)

 

1 . Raise the Well (N)     posture 1

2 . Part the Horse's Mane L, R, L (W)   posture 2

3 . Play the Guitar (W)   posture 3

4 . Turn and Embrace the Tiger (NE)   posture 4

5 . Brush the Knee and Twist Step L, R, L (E)   posture 5

6 . Play the Guitar (E)

7 . Raise Hands and Cross Wrists (N)   posture 6

8 . Ward Off R (E)   posture 7

9 . Wave Hands in the Clouds (3)   posture 8

10 . Ward Off L (W)

11 . Retreat and Repulse the Monkey (4) (W)   posture 9

12 . Raise Hands and Cross Wrists (N)   posture 10

13 . Work At The Shuttles (SE, NE, E)   posture 11 (Advanced Section – Not shown in video)

14 . Withdraw and Push (E)   posture 12

15.  Work At the Shuttles (SW NW W)

16.  Withdraw and Push (W)

17 . Raise Hands and Cross Wrists (N)

18 . Close

 

 

The Cornerstone Form: (24 steps) This is a complete representation of two sections from the classic Yang Form.

 

The Cornerstone is an intermediate form comprised of the most beneficial movements from the Yang style. This version is actually our own variation of the popular 21 posture form. It contain three repetitions of GRASP BIRD’S TAIL, a set of 8 intersecting circular movements which energize and balance all of the Chi meridians. It also includes three repetitions of the SINGLE WHIP POSTURE, which is an excellent routine for strengthening the bones, energizing the brain and spine and freeing trapped energy in the legs.

 

It also features WAVE HANDS IN CLOUDS, a posture designed to strengthen the organic cavity and the muscles of the trunk, but it also specifically directs Chi to the spleen, stomach and hearing.

 

In addition, the REPULSE THE MONKEY posture is renowned for its enhancement of the liver, kidneys, liver and colon. REPULSE is often prescribed by Chinese physicians to treat liver and stomach ailments-but also the energize the reproductive system.

 

The RETURN TO THE MOUNTAIN SEQUENCE, combined with the DIAGONAL WHIP is also often prescribed for its overall benefit to all the internal organs.

 

The form also includes SNAKE CREEPS DOWN and ROOSTER STANDS, to strengthen the immune system, and other key posture sets which a beneficial to the digestive system and to the central Chi Channel-which improve overall disease resistance.

 

 

[Click here to view Instruction Manual]

[Click Here to View Video] 

 

 

1.           Raise the Well  (N)

2.           Grasp the Bird's Tail   (e)

3.           Single Whip   (w)

4.           Lift Hands & Strike With Shoulder    (N)

5.           Crane Spreads Wings  (w)

6.           Brush the Knee & Play the Guitar     (w)

7.           Brush the Knee R, L, R   (w)

8.           Brush the Knee & Play the Guitar     (w)

9.           Deflect, Parry and Punch  (w)

10.       Wipe Off Wrists and Press  (w)

11.       Raise Hands and Cross Wrists  (N)

12.       Embrace The Tiger & Return to The Mountain  (se)

13.       Diagonal Single Whip  (ne)

14.       Part the Horse's Mane R, L, R  (e)

15.       Grasp the Bird's Tail  (e)

16.       Single Whip  (w)

17.       Fly Diagonally  (ne)

18.       Wave Hands in The Clouds L, R (3 times)  (N)

19.       Single Whip  (w)

20.       Snake Creeps Down  (w)

21.       Rooster Stands One Legged L, R  (w)

22.       Retreat and Embrace the Tiger  (w)

23.       Repulse the Monkey R, L, R  (w)

24.       Raise Hands and Cross Wrists  (N)

 

 

 

Advanced: The Walking Tiger Form

 

The classic 37 postures form was designed during the 1940’s by the innovative master Cheng Man-Ching. He was innovative not because of new ideas, but rather because he revived the original Tai Chi.

 

When the Red Chinese took control of China, they outlawed Tai Chi. They later allowed its practice, but then nationalized the art and began a national competition system. This quickly turned modern Tai Chi into a performance art; filled with dramatic poses and flourish - designed to impress and audience, rather than to be an effective self-defense system. Many people call this the “big circle” style, because of its big circular movements.

 

Master Cheng was considered a renegade, because he returned to the original Tai Chi, which is not as pretty, but is distinguished by its deeply rooted postures and explosive, continuous, snakelike movement.

 

Master Cheng went on to become the founder of American Tai Chi. And, from his renowned Canal Street school in New York, went on to train most of today’s American masters.

 

 

25.             Embrace The Tiger & Return to The Mountain  (se)

26.             Diagonal Single Whip  (ne)

27.             Step to Fist Under Elbow  (w)

28.             repulse the Monkey  (w)

29.             Fly Diagonally   ( ne)

30.             Wave Hands in The Clouds L, R   (N)

31.             Single Whip   (w)

32.             Separate Foot R, l  (nw sw)

33.             Heel Kick L  (se)

34.             Brush the Knee and Twist Step R, L  ( e )\

35.             Brush the Knee and Low Punch  ( e )\

36.             Grasp the Bird's Tail  ( e )\

37.             Single Whip   (w)

38.             Work the Shuttles   (ne nw sw se)

39.             Grasp the Bird's Tail  ( e )\

40.             Single Whip   (w)

41.             Snake Creeps Down   (w)

42.             Step to Seven Stars   (w)

43.             Retreat and Embrace the Tiger  (w)

44.             Spin and Lotus Kick  (w)

45.             Draw the Bow and Shoot the Tiger  (w)

46.             Deflect, Parry and Punch  (w)

47.             Wipe Off Wrists and Press  (w)

48.             Raise Hands and Cross Wrists  (w)